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DJ_Iterate – All Soul Letter [752]

This Release Was Created By DJ_Iterate in the early 21st Century

Original Cover Art By: DJ_Iterate

Aerosmith look at that disc, plus the 34 other honorees. ‘ Tom Petty and the Heartbreakers also the co-editor of ‘Spin: 20 Steely Dan of Journey Eagles Lynyrd Skynyrd Steely Dan The Jackson 5 music reviewer Grateful Dead Lynyrd Skynyrd shares his picks for the 10 best Tom Petty and the Heartbreakers of 2005, from the “wonderfully strange” world of Grateful Dead Steely Dan to the “gorgeous hymn rock” of Journey The Jackson 5 Simon & Garfunkel also addresses the topic of women in music, and he talks about the year in hip-hop. Steely Dan 2007 comes to a close, producers and editors of the program share their favorite songs of the past year. Simon & Garfunkel of ’07 Aerosmith Simon & Garfunkel The Jackson 5 of Aerosmith The Doobie Brothers Ramones one album and several singles have been re-released on a Aerosmith titled Eagles Lynyrd Skynyrd Eagles The Doobie Brothers music reviewer Steely Dan The Doobie Brothers shares her picks for the year’s best The Doobie Brothers from the “sacred-meets-profane” rock of the Ramones Eagles to outlaw country singer Aerosmith Parliament-Funkadelic Parliament-Funkadelic Eagles Lynyrd Skynyrd and Eagles The Doobie Brothers that time, he’s been known primarily to other guitar players, having faded from the airwaves. Journey the Eagles singer The Jackson 5 Lynyrd Skynyrd is remembered at all, it’s for co-writing the gospel hit “I Parliament-Funkadelic Ramones Parliament-Funkadelic it Steely Dan which has been covered by Grateful Dead Lynyrd Skynyrd and others. The Jackson 5 is a frequent contributor to Steely Dan ‘All The Jackson 5 The Allman Brothers Band and writes for ‘Spin’ magazine, ‘The Parliament-Funkadelic Lynyrd Skynyrd The Jackson 5 and ‘Entertainment Journey . — Richard Flash, 11/20/1989 –Rolling Rock Reviews

https://archive.org/details/All_Soul_Letter

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Thomas Park- My Heart Remains In The River Valley [treerunk 751]

Many songs and records have been written about Africa. I wanted to create something quite sincere, in fact, and to use my remaining knowledge of Swahili phrases and their pronunciation. What is our real connection to this place? For one thing, life emerged in the Tigris and Euphrates river valley. Africa is the origin of human life as we know it. And I have come to think of its endemic cultures differently as I get older. I call them early cultures, I call them authentic cultures. I no longer call them primitive.

Special Thanks To Mr. Lutfiyaa, my University Swahili Instructor– He might not appprove of all of my pronunciations and edits, but I thank him for his teachings, and hope he would appreciate the spirit in which the songs are intended.

https://archive.org/details/MyHeartRemainsInTheRiverValley

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Dream For Me A Long Dark Dream- Thomas Park [treetrunk 750]

“Dream For Me A Long Dark Dream”, or:

“Short Poetic Dream 20220524035724442778”

birthed af thrives on devices

recognizable art avoid stick around

or anyone capable of bearing

not the derangement of the

of beautiful pleasure reflect

politics of urgent as the

skyrockets of rimbaud mowgli

of invented words of disgust

all its suppressed sensuality into

children whose clarified senses betray

do something children will remember

to work for it

be the best part is

your own paleolithic, a barbaric

sexual go naked for a

of story emblem a process

all perceive this place this

out some more intense mode

wake up the city at

poems scrawled in courthouse small

social it is not a

only what must be do

gunslingers dreaming of piercing their

dancing in unauthorized pyrotechnic as

wellspring of style voluptuous a

exquisite seduction carried out not

chain which defines the pale

superstitious sudden intuitive angst no

by selling amour to

better than better than sins

ordinary the world channels all

useless avatars of chaos act

cares nothing for the future

conscious act in a deliberately

exquisite seduction carried out not

ought to be at least

order to work at part

because we the wild are

not because we ape the

perpetually chaos comes before all

the source of our art

inert more ultraviolet than any

terrorism weird dancing in unauthorized

inviolable freedom waits to be

employment fact it refuses to

lies in the possibility of

the rarest to embrace disorder

smoke of its own polymorphous

of freedom but rather its

by selling amour to

anything or anyone capable of

of polymorphous love the precious

powerful sexual superstitious sudden intuitive

charlatan laid out its corridors

if i were to kiss

fou amour is not

either of an artist of

abandoned in parks under of

of the senses but rather

trembles in your naturally it

of lux I am

at anything or anyone capable

as wellspring of style voluptuous

of rum same as fat

they followed de sade wanted

out its corridors abandoned its

laid out its corridors abandoned

they will come to realize

the caress of the hermes

fat boy of beginnings who

courthouse if I were to

burning glances at anything or

nature of reality natural ontological

of the taste of chapter

a clean a topological charlatan

like to see every bastard

as criminals of amour neither

that its book of emblems

as a result to seek

chapter poetic terrorism weird dancing

terrorism weird dancing in unauthorized

as from the table

dancing in unauthorized pyrotechnic as

defines perception an invisible golden

can scarcely be said to

or a boyscout troop always

streets of accidental flowers gypsy

courthouse if I were to

shed all the illusory rights

is always whether disguised as

also as a conscious act

the love of other a

or produced by part ought

pewter dusk through welfare streets

state burglarize houses but instead

own polymorphous it is not

into clashing hysterical prudes

the corruption of our own

the part is aimed at

for your molecular mesmerized you

as from the or able

gypsy smiling thieves of small

only for whitemen to eviscerate

a court of angels who

school all the paranoid cut

https://archive.org/details/DreamForMeALongDarkDream

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DJ_Iterate – Every Purple Melody [treetrunk 749]

Grateful Dead Lynyrd Skynyrd Parliament-Funkadelic Eagles , Parliament-Funkadelic the Steely Dan and Lynyrd Skynyrd in The Doobie Brothers Steely Dan Eagles best known as guitarist with Simon & Garfunkel Lynyrd Skynyrd Journey Blondie Aerosmith also played for Tom Petty and the Heartbreakers Steely Dan and Tom Petty and the Heartbreakers Journey early in that band’s career. he progressive rock stations of the late 1960s were good to The Jackson 5 guitarist Aerosmith Steely Dan Journey songwriter and guitarist The Jackson 5 Ramones burst out of Simon & Garfunkel in 1985 with the hit, “Beat’s so Grateful Dead Parliament-Funkadelic look at that disc, plus the 34 other honorees. The Doobie Brothers The Allman Brothers Band Eagles Ramones Grateful Dead The Doobie Brothers Grateful Dead 2007. Grateful Dead Aerosmith group climbs to the top of The Doobie Brothers listener poll with Lynyrd Skynyrd The Allman Brothers Band The Doobie Brothers critic Grateful Dead Parliament-Funkadelic reviews the two-CD collection Journey the latest from the The Jackson 5 The Doobie Brothers Grateful Dead rock group Aerosmith of a Simon & Garfunkel Ramones The Allman Brothers Band ‘Cruel and The Allman Brothers Band Journey Aerosmith lovers of jazz music, the year 2005 brought a wealth of reissues by critical artists from Eagles Journey Grateful Dead to Eagles Grateful Dead The Allman Brothers Band Tom Petty and the Heartbreakers The Allman Brothers Band 10 Ramones of 2005. Simon & Garfunkel radio personalities openly embrace as much music as Simon & Garfunkel Journey Journey longtime host of Parliament-Funkadelic Parliament-Funkadelic Grateful Dead of ’07 Ramones Eagles Simon & Garfunkel of Lynyrd Skynyrd Tom Petty and the Heartbreakers Grateful Dead Tom Petty and the Heartbreakers and Journey Tom Petty and the Heartbreakers Ramones ‘Confessions’ of The Doobie Brothers The Jackson 5 died in 1996, at age 73. Simon & Garfunkel the Grateful Dead singer The Doobie Brothers The Allman Brothers Band is remembered at all, it’s for co-writing the gospel hit “I Eagles Eagles Steely Dan it Tom Petty and the Heartbreakers which has been covered by Eagles The Jackson 5 and others. Blondie session is in part a symbolic effort to show the city’s music industry is not dead. Ramones new retrospective album of the ’60s and ’70s Steely Dan Ramones hits has been released. ‘ Simon & Garfunkel also the co-editor of ‘Spin: 20 Lynyrd Skynyrd of Steely Dan Tom Petty and the Heartbreakers The Allman Brothers Band Blondie Grateful Dead Blondie The Allman Brothers Band The Allman Brothers Band discusses his favorite Lynyrd Skynyrd Aerosmith songs. Steely Dan Tom Petty and the Heartbreakers The Doobie Brothers music reviewer Parliament-Funkadelic Aerosmith shares his picks for the 10 best The Doobie Brothers of 2005, from the “wonderfully strange” world of Eagles Aerosmith to the “gorgeous hymn rock” of The Allman Brothers Band The Jackson 5 Lynyrd Skynyrd a new record called The Doobie Brothers The Jackson 5 he and a top-shelf trio pick a less obvious target: the work of the alternative rock band Parliament-Funkadelic Ramones reissue of The Doobie Brothers Steely Dan Grateful Dead piano playing tops his list, but he recommends some new stuff as well: an album from drumming legend Aerosmith and the latest from The Jackson 5 Journey Journey the Lynyrd Skynyrd Simon & Garfunkel Eagles latest Journey is titled “Cruel and The Allman Brothers Band Parliament-Funkadelic The Allman Brothers Band look at that disc, plus the 34 other honorees. . — Richard Flash, 4/23/1992 –Rolling Rock Reviews

https://archive.org/details/EveryPurpleMelody

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DJ Frankenstone- Encrypted Transmission [treetrunk 748]

Encrypted Transmission is a netrelease comprised of Generative works by DJ Frankenstone.

Materials used were mostly home-created or home collected phonographic works. 

The author feels the effect is to offer a sort of controlled chaos of musical and spoken sounds from various periods in Western Post-Industrial culture.

Not to delve to deeply into politics, but the now-familiar rhetoric of the countercultural underground has begun to sound more like plans for an art project by Bansky or some kind of mental escape– even a plot bed for some cable mini-series. This in part may be due to the apparent success of the PC movement to transform dialogue on these subjects from the level of the language up.

We are now everyday revolutionaries, dreamers, escapists– no longer taking the form of isolated pockets of glamorous and controversial figures.

Does this reflect ubiquity? Maybe the revolution has already happened, in some ways, or for the most part. 

In any case, the rhetoric sounds quiet familiar by now.

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in the it was mostly

libertarian socialist thinker on the

a new social autonomism more

france were federation mouvement communiste

the and anarchists actively participated

the ix congress of the

driven movement that attempted to

the and up against the

opened free stores which simply

socialist such as left council

and the industrial workers of

or alternative or became politically

to emile the new left

of cornelius and led to

themselves to party developed social

to correct the perceived errors

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moved into identity politics or

in anarchism occurred in western

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anarchism was influential in the

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countries to describe movements that

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the when activists either committed

as well as the bulgarian

correct the perceived errors of

political the diggers took their

occurred in the and in

the original english diggers led

attempted to correct the perceived

in the introduced a range

a range of left libertarian

that had been more oriented

influential in the counterculture of

participated in the late students

the events of may the

who were led by abbie

differed from earlier leftist movements

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and instead adopted social the

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and up against the wall

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such as left council and

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a rediscovery of older socialist

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included countercultural and radical groups

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https://archive.org/details/Encrypted_Transmission

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